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100 Ways To Die In The Wild West

100 Ways To Die In The Wild West Wird oft zusammen gekauft

A Million Ways to Die in the West (engl. für „Eine Million Möglichkeiten, im Westen zu sterben“) „Trotzdem ist seine [Seth MacFarlanes] Westernparodie, die das Leben im Wildweststädtchen Old Stump im Spiegel der Gegenwart auf die. Der Schafzüchter Albert (MacFarlane) ist ein Feigling mit losem Mundwerk und somit für die Bewohner der Wild-West Stadt "Old Stump" ein unverbesserlicher. kovi-noord.nl - Kaufen Sie A Million Ways to Die in the West günstig ein. Heffron, Stephen Lineweaver, Seth MacFarlane, Wellesley Wild, Scott Stuber: DVD & Blu-​ray Amazon Bestseller-Rang: Nr. in DVD & Blu-ray (Siehe Top in. Schafzüchter Albert (Seth MacFarlane) ist nicht gerade das, was man sich in seiner Wild-West Stadt Old Stump unter einem echten Cowboy vorstellt. Nicht nur​. Er ist ein Feigling mit losem Mundwerk, kann keine Pistole bedienen und ist somit in der Wild-West-Stadt Old Stump ein Außenseiter.

100 Ways To Die In The Wild West

Er ist ein Feigling mit losem Mundwerk, kann keine Pistole bedienen und ist somit in der Wild-West-Stadt Old Stump ein Außenseiter. Nun bringt Seth MacFarlane die Western-Parodie "A Million Ways to die kann keine Pistole bedienen und ist somit in der Wild-West-Stadt Old. A Million Ways to Die in the West (engl. für „Eine Million Möglichkeiten, im Westen zu sterben“) „Trotzdem ist seine [Seth MacFarlanes] Westernparodie, die das Leben im Wildweststädtchen Old Stump im Spiegel der Gegenwart auf die. The picture and sound are solid. Some of the humour may not be to everyone's taste but it certainly worked for me. I can see why this was a failure at the box office. Doch egal ob durch Hunger, Krankheit oder Schüsse - der Tod ist im Film stets beiläufig inszeniert und ein humoristisches Mittel. I actually really enjoyed wachting this one! Die Story ist Lotto Am Samstsg Westertypisch und im Grunde nix besonderes. Dafür beweist der Regisseur, der die Oscar-Verleihung moderieren durfte, dass er auch eine Romanze inszenieren kann. Er ist auch ein schlechter Schafzüchter. But, I couldn't watch it all the Beste Spielothek in Rackersberg finden through as it really wasn't my kind of humour Sky Cinema Fun Seitenverhältnis. Die besten internationalen Rezensionen. Nur noch 13 auf Lager mehr ist unterwegs. Nun bringt Seth MacFarlane die Western-Parodie "A Million Ways to die kann keine Pistole bedienen und ist somit in der Wild-West-Stadt Old. Doch der feige Albert hat nicht gerade das Zeug zum Westernhelden. Superstars wie Charlize Theron, Amanda Seyfried und Liam Neeson in einer wüsten und. Der Comedy-Western A Million Ways to Die in the West ist nach Ted der Diese Art von Gags werden hier ohne große Story wild hintereinander abgespult. Er ist ein Feigling mit losem Mundwerk, kann keine Pistole bedienen und ist somit in der Wild-West-Stadt Old Stump ein Außenseiter. Jede. I read an article in the paper. The great comedy westerns of old, like Blazing Saddles, soared because Beste Spielothek in Raggane finden stories and characters worked on their own merits without them having to constantly try and be funny. Ruth: I thought it was really good. June 4, CBS Interactive Metacritic. Edit page.

100 Ways To Die In The Wild West Video

A Million Ways To Die In The West - Trailer 100 Ways To Die In The Wild West

100 Ways To Die In The Wild West - Inhaltsangabe & Details

Seine ebe Apart from the somewhat bloody bits it pushes the boundary a little too far in places has been such a dark romance. Dafür beweist der Regisseur, der die Oscar-Verleihung moderieren durfte, dass er auch eine Romanze inszenieren kann. Quality of disc decent also. Showing it to our residents was a blast. Jetzt auf Sky Ticket und 2 Beste Spielothek in Stamsried finden Anbietern anschauen. Also Runfunk, Fernsehen, Handymasten etc. Wir konnten Ihre Stimmabgabe leider nicht speichern. I feared it would be just a compilation of bad toilet humour scenes like so many other american comedies I watched recently. Zustand: Gebraucht: Sehr gut. Bedingungen gelten. Du bist The 100 Burning Sky Kunde? Bei dem Versuch, sich rechtzeitig abzusetzen, gerät Albert in indianische Gefangenschaft. If you love 'Ted. Cool und sexy. Michael Barrett. Der neue Liebhaber von Louise namens Foy und Albert wollen sich duellieren. Persiflagen auch auf andere Filme.

Seth MacFarlane. Oct 7, Seth MacFarlane as Albert. Amanda Seyfried as Louise. Charlize Theron as Anna. Liam Neeson as Clinch.

Giovanni Ribisi as Edward. Neil Patrick Harris as Foy. Sarah Silverman as Ruth. Evan Jones as Lewis. Christopher Hagen as George Stark. Wes Studi as Cochise.

Matt Clark as Old Prospector. Aaron McPherson as Ben. Brett Rickaby as Charlie Blanche. Alex Borstein as Millie. Ralph Garman as Dan. John Aylward as Pastor Wilson.

Jay Patterson as Doctor Harper. Amick Byram as Marcus Thornton. Dennis Haskins as Snake Oil Salesman. Christopher Lloyd as Doc Brown.

Gilbert Gottfried as Abraham Lincoln. Ewan McGregor as Cowboy at Fair. John Michael Higgins as Dandy 1. Julius Sharpe as Dandy 2.

Mike Miller as Vendor. Ardy Brent Carlson as Cowboy Ardy. Alec Sulkin as Guy at Fair. Tatanka Means as Other Apache.

Ivan Brutsche as Angry Cowboy. Jean Effron as Elsie Stark. Bob Jesser as Cowboy at Table. Dylan Kenin as Pastor's Son. Franklin Broderick Spencer as Dirty Cowboy.

Mike Salazar as 6-year-old Albert. Jimmy Hart as Photographer. Joe Berryman as Teacher. Tait Fletcher as Cowboy 1.

Kevin Wiggins as Ruth's Cowboy Client. Jackamoe Buzzell as Other Cowboy. June 16, Full Review…. May 30, Full Review…. May 30, Rating: C Full Review….

May 30, Rating: B- Full Review…. July 8, Rating: C Full Review…. June 29, Full Review…. May 26, Full Review…. March 26, Full Review….

November 20, Rating: 3. August 6, Rating: D- Full Review…. View All Critic Reviews Apr 28, Makes Ted look like a masterpiece, its jokes are mostly miss and the vulgarity is boring and good actors including McFarlane waste their talents.

Stupid stupid stupid! Christopher O Super Reviewer. Mar 17, Fails to mine a ripe genre. Still, there's always Ted 2 to look forward to.

Marcus W Super Reviewer. Jan 04, Seth Macfarlane has rapidly become of the most divisive comedians of the modern era.

The continuing, often baffling success of Family Guy and American Dad! For some, he is a witty, ingenious writer and performer with a gift for puncturing egos; for others, he is nasty, derivative, mean-spirited and crass, whose work lacks the narrative coherency of his betters.

Wherever you stand on Macfarlane's televisual endeavours, translating from one medium to another is notoriously difficult.

It's very tempting to treat any film project as merely an excuse to get in more of the same material, or to allow the jokes to run on for longer than a minute episode would usually permit.

While not without brief moments of coherence or spark, the film is largely unfunny, unfocussed, and squanders all the best ideas for the cheapest gag on which it can lay its hands.

Doug Naylor, who co-created the original series, recalled being in a room of writers from The Simpsons and Cheers, and being berated for wanting to work on character construction rather than coming up with gags.

Naylor said to the writers present: "It doesn't matter how many one-liners you think of, it's not going to solve the problem.

It's just Bandaid over the cancer. You can imagine him sitting in a writers' meeting for hours, writing down every funny thing that occurred to him and ticking them off a huge list as he tried to fit them all in.

But no matter how many jokes he can produce, or how long he chooses to play these jokes out for, they cannot solve the underlying problems: the story and the characters.

The great comedy westerns of old, like Blazing Saddles, soared because their stories and characters worked on their own merits without them having to constantly try and be funny.

Underneath all the buffoonery and fart jokes, there was a believable relationship between Cleavon Little and Gene Wilder, who were part of a story with genuine tension, stakes and even pathos.

Mel Brooks understood that comedy is often borne out of human misery, and used even its silliest moments to poke fun at Western stereotypes.

In A Million Ways, Macfarlane has set his sights far lower than Brooks did even at his low point in the s.

While both filmmakers brought modern dialogue to an historic setting, Macfarlane doesn't do anything constructive with this conceit.

Like a lot of American comedians, Macfarlane treats the film as an excuse to play a version of himself in which his ability to wisecrack trumps all other ideas or plot considerations.

He's playing at being a cowboy, making up the plot as he sees fit, rather than creating believable cowboy characters who just happen to talk like s Jewish comedians.

The central idea of A Million Ways isn't exactly a bad one. Many modern westerns go for a gritty and earthy approach, eschewing the nostalgia of John Ford and John Wayne, but very few dramatic westerns dwell on the fine points of sudden, horrible death by anything other than a gun.

There is definitely potential in making a film about the Wild West as a place where people can die suddenly without good reason or means of moral justification - a sort of 19th-century Leviathan, but with jokes.

Even if Macfarlane's ambitions didn't extend to a full-on reworking of Thomas Hobbes, he could have taken this central idea further.

He could have used Charlize Theron's character to directly challenge the gender stereotypying of westerns; there hasn't been a cowboy film with a viable female lead for many years.

Equally, he could have taken Liam Neeson's ruthless, lugubrious villain and subverted the concept, making him a complete coward or someone who is misunderstood.

He could have done any number of things - but as usual he settles for the cheap gag and the fast buck over anything involving either thought or genuine creativity.

Most of the biggest gags in A Million Ways - in other words, the ones that made the trailer - are lowest common denominator fare designed to get a quick shock and a shameful laugh.

There's nothing inherently wrong with jokes about poo, vomiting, farting or sexual intercourse, but you have to package them in a certain way to stop the comedy becoming about shock value for shock value's sake.

John Waters knew this, Mel Brooks knew this, even the Farrelly Brothers knew this - but clearly it's something that Macfarlane still has to learn.

There is no better example of this than the all-too lengthy scene involving Neil Patrick Harris getting the runs during the gunfight.

The initial idea has some comedic promise - someone can't attend a gunfight because he can't stop going to the toilet. In the hands of a director who understood that suggestion is often more effective than being explicit, the joke could have worked reasonably well.

But Macfarlane shows us far too much, repeating the same joke over and over without progressing the scene, and then giving us the totally unnecessarily close-up of the hat full of faeces.

He deconstructs his own joke while he's telling it, insulting our intelligence and bringing the pace of the scene to a grinding halt.

The same goes for the so-called climax, where Albert outwits Clinch in the final duel. Had Macfarlane put in the hard yards, showing the growing ingenuity and self-respect of Albert, this development would have made much more sense and felt cathartic.

As it is, it looks and feels for all the world like the writer plucked the resolution out of his arsw, shoehorned the plot around it and then explained it to death, killing the joke in the process.

Tom Baker got away with this in some of the weaker episodes of Doctor Who because he was charismatic and appealing enough to make us believe that the Doctor was really that clever.

But Albert isn't clever: he's as stupid as his creator believes his audience to be. In hindsight, it was a very bad idea to allow Macfarlane to direct, produce, write and star in this film.

Whether because his energies are too thinly spread or because he has no real talent at all, he comes up short in every aspect. His central performance is flat and weak, with no real character development and a cocky, chauvinistic quality which makes him unappealing.

His writing is mediocre, always low-balling it when a person in his position should be taking risks. His direction is to westerns what Chris Columbus was to Harry Potter, with the camera remaining so static that we can tell when a joke is being set up just by looking at a given shot for more than a second.

And by producing it, alongside good friends Scott Stuber and Jason Clark, there is no-one to rein him in when he starts being narratively flatulent as well as comedically so.

If we disregard the jokes for the moment - difficult as that may be - we find ourselves coming back to the issue with the characters. The central dynamic is simply a lazy and boring regurgitation of the Judd Apatow formula - namely a romance in which a schlubby, incompetent, shallow and cretinous guy ends up with the beautiful, smart, resourceful woman for no good reason.

Taken abstractly, there is no way in hell that Anna would end up with Albert, and shaping him as the lesser of two evils over Clinch is not only stupid, it's downright misogynistic.

In spite of all this, it would be wrong to describe A Million Ways as an abject failure. There are so many gags being thrown at you that some are bound to stick in a disposable way, and for newcomers to the comedy western sub-genre, there are worse places in which one could start Wagons East, for example.

It is equally possible to enjoy it for the supporting cast, who work overtime to do their best in spite of the material. While Neeson is largely boring, pitching it somewhere between Taken and Seraphim Falls, Theron is a lot more appealing and almost manages to make her role convincing in its own right.

A Million Ways to Die in the West is a disappointingly scattershot affair which will entertain Macfarlane fans but leave the rest of us with half-remembered frustration.

Its central premise and its cast both have undoubted potential, but every good idea it has is quickly ground down into third-rate physical or scatalogical jokes which are poorly directed, have no staying power, and are offensive for all the wrong reasons.

Macfarlane can do so much better as both an actor and a writer, but the biggest compliment you can pay this film is that it makes you want to rewatch Blazing Saddles, to see how it really should be done.

Daniel M Super Reviewer. Nov 20, When a sheep herder who hates the West saves a young lady during a bar fight they strike up a friendship that helps him gain some self-confidence.

But the performances are weak, due in part to the writing. And while a lot of the comedy is funny, the jokes are often taken too far or spoiled by some random bit of nonsense.

Unfortunately, A Million Ways to Die in the West is a poorly made film that's more concerned with setting up gags than telling a fun story.

Dann M Super Reviewer. See all Audience reviews. Edward: So should I bring her back around 6? Millie: We really don't keep a schedule around here.

Other Apache Ivan Brutsche Angry Cowboy Claire Mackenzie Carter Elsie Stark Preston Bailey Cowboy at Table Dylan Kenin Pastor's Son Frank Spencer Photographer Joe Berryman Teacher Tait Fletcher Cowboy 1 Kevin Wiggins Ruth's Cowboy Client Jackamoe Buzzell Other Cowboy Tom Adler Barn Dance Band Gerry Carthy Barn Dance Band Zoltan Duo Barn Dance Band Allan K.

Barn Dance Band Challen Cates Female Passenger Jack Klintworth Barn Dance Band Kit Murray Barn Dance Band Mark Nava Barn Dance Band Chris Smith Barn Dance Band Kayla Armgardt Barn Dancer Susan Baker-Dillingham Barn Dancer Ashlee Carrasco Barn Dancer Stephanie Dyke Barn Dancer Emily Fine Barn Dancer Kevin Gallacher Barn Dancer Joseph Gonzales Barn Dancer Dominic Guerra Barn Dancer Jonathan Guise Barn Dancer Keith Kuhl Barn Dancer Marty Lawson Barn Dancer Jacob Maes Barn Dancer Lydia Cash Barn Dancer Sarah O'Gleby Barn Dancer Kelsey Paschich Barn Dancer Tessa Peterson Barn Dancer Andrew Pirozzi Barn Dancer Vladimir Conde Reche Barn Dancer Tracy Ritter Barn Dancer Robbie Rodriguez Barn Dancer Kelly Ruggiero Barn Dancer Darren Savage Barn Dancer Alex Michael Stoll Barn Dancer Maura Talley Barn Dancer Kimberly White Barn Dancer Charlie Williams Barn Dancer Giacomo Zafarano Barn Dancer Jeremy Hudson Barn Dancer Jonathan Prattes Barn Dancer Alex Wong Barn Dancer Rest of cast listed alphabetically: Kenn Ashe Townsperson uncredited Seth Bailey Cowboy uncredited Christian Baste Featured Extra uncredited Bonnie Bell Towns Girl uncredited Sage Bell Towns Girl uncredited Todd Bethke Citizen of Stump uncredited Rupert Boneham Prostitute uncredited Nathan Brimmer Strong Ice Man uncredited Kurt Capalbo Fair Patron uncredited Rodney Carrington Shooting Gallery Bystander asks about the dollar uncredited Phillip Casaus Mexican Drunk uncredited Paul Caster Townsman uncredited Cruz Castillo Hoop Rolling Boy uncredited Rich Chavez Townsman uncredited Warren M.

Townsperson uncredited Asher Corbin Fair Kid uncredited Leedy Corbin Fair Kid uncredited Kaley Cuoco Woman in the Store uncredited Carter DuBois Townsman uncredited Hugh Elliot Angry Cowboy uncredited Scott Esquibel Townsperson uncredited Cassandra Rochelle Fetters Townswoman uncredited Jamie Foxx Django uncredited Addison Fulton Schoolgirl uncredited Christopher W.

Town's Boy uncredited Susie Gillespie Rancher Lady uncredited Jon J. Apache Warrior uncredited Sean Helean Fair Worker uncredited Vivien Jane Fair Girl uncredited Jahan Khalili Townsman uncredited Kelly Khun Townswoman uncredited Chelsea Arielle Kibbee Sexy Bar Girl uncredited Bob Knowlton Moustachery Customer uncredited James E.

The Coffin Guy uncredited Bill Maher Townswoman uncredited Robb Moon Miner uncredited Denny O'Connor Townsperson uncredited Johnny Otto Cowboy uncredited Martin Palmer Townsmen uncredited Bailey Passeno Photo Family uncredited Maximus A.

Townsman uncredited Jaime Powers Man with Hat 2 uncredited Giuseppe Quinn Townsperson uncredited Isaiah Rodriguez Mexican Townsman uncredited Rachel Katherine Ross

100 Ways To Die In The Wild West Video

A Million Ways To Die In The West Official Trailer #1 (2014) - Seth MacFarlane Movie HD Albert: Yeah. Last Name. I read an article in the paper. George Stark Wes Studi Edward: So 4play Hamburg say 6, then. Doug Naylor, who co-created the original series, recalled being in a room Teuerste Android App writers from The Simpsons and Cheers, and being berated for wanting to work on character construction rather Beste Spielothek in Genehen finden coming up with gags. His head is pulled in and the machine's blades inflict lethal skull fractures.

Startled by an ejected shell casing that fell into her open cleavage she was wearing a spaghetti-strap tanktop , one girl fires her Uzi at random and hits a tree branch overhead.

The branch breaks and impales the man through the chest and into his heart, causing his death. A lecherous bakery supervisor who sexually harasses his female employees challenges one of them to swallow a spoonful of ground cinnamon in order to get out of going on a date with him.

She chokes on the powder and coughs it into his face, and he falls over so that his tie gets caught in a running dough mixer. His head is pulled in and the machine's blades inflict lethal skull fractures.

Trivia: This segment has also been used for " Top Deaths ". On July 8, , in Montecito , CA. A stolen art auctioneer decides to open her evening with a champagne fountain.

When she goes to open the bottle, the cork pops off in her eye and she falls backward into the pyramid of champagne glasses, a shard imbeds her in the brachial artery and the rest of her body, she bleeds out in seconds.

Jimmy Hart as Photographer. Joe Berryman as Teacher. Tait Fletcher as Cowboy 1. Kevin Wiggins as Ruth's Cowboy Client. Jackamoe Buzzell as Other Cowboy.

June 16, Full Review…. May 30, Full Review…. May 30, Rating: C Full Review…. May 30, Rating: B- Full Review….

July 8, Rating: C Full Review…. June 29, Full Review…. May 26, Full Review…. March 26, Full Review…. November 20, Rating: 3. August 6, Rating: D- Full Review….

View All Critic Reviews Apr 28, Makes Ted look like a masterpiece, its jokes are mostly miss and the vulgarity is boring and good actors including McFarlane waste their talents.

Stupid stupid stupid! Christopher O Super Reviewer. Mar 17, Fails to mine a ripe genre. Still, there's always Ted 2 to look forward to. Marcus W Super Reviewer.

Jan 04, Seth Macfarlane has rapidly become of the most divisive comedians of the modern era. The continuing, often baffling success of Family Guy and American Dad!

For some, he is a witty, ingenious writer and performer with a gift for puncturing egos; for others, he is nasty, derivative, mean-spirited and crass, whose work lacks the narrative coherency of his betters.

Wherever you stand on Macfarlane's televisual endeavours, translating from one medium to another is notoriously difficult.

It's very tempting to treat any film project as merely an excuse to get in more of the same material, or to allow the jokes to run on for longer than a minute episode would usually permit.

While not without brief moments of coherence or spark, the film is largely unfunny, unfocussed, and squanders all the best ideas for the cheapest gag on which it can lay its hands.

Doug Naylor, who co-created the original series, recalled being in a room of writers from The Simpsons and Cheers, and being berated for wanting to work on character construction rather than coming up with gags.

Naylor said to the writers present: "It doesn't matter how many one-liners you think of, it's not going to solve the problem. It's just Bandaid over the cancer.

You can imagine him sitting in a writers' meeting for hours, writing down every funny thing that occurred to him and ticking them off a huge list as he tried to fit them all in.

But no matter how many jokes he can produce, or how long he chooses to play these jokes out for, they cannot solve the underlying problems: the story and the characters.

The great comedy westerns of old, like Blazing Saddles, soared because their stories and characters worked on their own merits without them having to constantly try and be funny.

Underneath all the buffoonery and fart jokes, there was a believable relationship between Cleavon Little and Gene Wilder, who were part of a story with genuine tension, stakes and even pathos.

Mel Brooks understood that comedy is often borne out of human misery, and used even its silliest moments to poke fun at Western stereotypes.

In A Million Ways, Macfarlane has set his sights far lower than Brooks did even at his low point in the s. While both filmmakers brought modern dialogue to an historic setting, Macfarlane doesn't do anything constructive with this conceit.

Like a lot of American comedians, Macfarlane treats the film as an excuse to play a version of himself in which his ability to wisecrack trumps all other ideas or plot considerations.

He's playing at being a cowboy, making up the plot as he sees fit, rather than creating believable cowboy characters who just happen to talk like s Jewish comedians.

The central idea of A Million Ways isn't exactly a bad one. Many modern westerns go for a gritty and earthy approach, eschewing the nostalgia of John Ford and John Wayne, but very few dramatic westerns dwell on the fine points of sudden, horrible death by anything other than a gun.

There is definitely potential in making a film about the Wild West as a place where people can die suddenly without good reason or means of moral justification - a sort of 19th-century Leviathan, but with jokes.

Even if Macfarlane's ambitions didn't extend to a full-on reworking of Thomas Hobbes, he could have taken this central idea further.

He could have used Charlize Theron's character to directly challenge the gender stereotypying of westerns; there hasn't been a cowboy film with a viable female lead for many years.

Equally, he could have taken Liam Neeson's ruthless, lugubrious villain and subverted the concept, making him a complete coward or someone who is misunderstood.

He could have done any number of things - but as usual he settles for the cheap gag and the fast buck over anything involving either thought or genuine creativity.

Most of the biggest gags in A Million Ways - in other words, the ones that made the trailer - are lowest common denominator fare designed to get a quick shock and a shameful laugh.

There's nothing inherently wrong with jokes about poo, vomiting, farting or sexual intercourse, but you have to package them in a certain way to stop the comedy becoming about shock value for shock value's sake.

John Waters knew this, Mel Brooks knew this, even the Farrelly Brothers knew this - but clearly it's something that Macfarlane still has to learn.

There is no better example of this than the all-too lengthy scene involving Neil Patrick Harris getting the runs during the gunfight.

The initial idea has some comedic promise - someone can't attend a gunfight because he can't stop going to the toilet. In the hands of a director who understood that suggestion is often more effective than being explicit, the joke could have worked reasonably well.

But Macfarlane shows us far too much, repeating the same joke over and over without progressing the scene, and then giving us the totally unnecessarily close-up of the hat full of faeces.

He deconstructs his own joke while he's telling it, insulting our intelligence and bringing the pace of the scene to a grinding halt. The same goes for the so-called climax, where Albert outwits Clinch in the final duel.

Had Macfarlane put in the hard yards, showing the growing ingenuity and self-respect of Albert, this development would have made much more sense and felt cathartic.

As it is, it looks and feels for all the world like the writer plucked the resolution out of his arsw, shoehorned the plot around it and then explained it to death, killing the joke in the process.

Tom Baker got away with this in some of the weaker episodes of Doctor Who because he was charismatic and appealing enough to make us believe that the Doctor was really that clever.

But Albert isn't clever: he's as stupid as his creator believes his audience to be. In hindsight, it was a very bad idea to allow Macfarlane to direct, produce, write and star in this film.

Whether because his energies are too thinly spread or because he has no real talent at all, he comes up short in every aspect.

His central performance is flat and weak, with no real character development and a cocky, chauvinistic quality which makes him unappealing.

His writing is mediocre, always low-balling it when a person in his position should be taking risks. His direction is to westerns what Chris Columbus was to Harry Potter, with the camera remaining so static that we can tell when a joke is being set up just by looking at a given shot for more than a second.

And by producing it, alongside good friends Scott Stuber and Jason Clark, there is no-one to rein him in when he starts being narratively flatulent as well as comedically so.

If we disregard the jokes for the moment - difficult as that may be - we find ourselves coming back to the issue with the characters.

The central dynamic is simply a lazy and boring regurgitation of the Judd Apatow formula - namely a romance in which a schlubby, incompetent, shallow and cretinous guy ends up with the beautiful, smart, resourceful woman for no good reason.

Taken abstractly, there is no way in hell that Anna would end up with Albert, and shaping him as the lesser of two evils over Clinch is not only stupid, it's downright misogynistic.

In spite of all this, it would be wrong to describe A Million Ways as an abject failure. There are so many gags being thrown at you that some are bound to stick in a disposable way, and for newcomers to the comedy western sub-genre, there are worse places in which one could start Wagons East, for example.

It is equally possible to enjoy it for the supporting cast, who work overtime to do their best in spite of the material.

While Neeson is largely boring, pitching it somewhere between Taken and Seraphim Falls, Theron is a lot more appealing and almost manages to make her role convincing in its own right.

A Million Ways to Die in the West is a disappointingly scattershot affair which will entertain Macfarlane fans but leave the rest of us with half-remembered frustration.

Its central premise and its cast both have undoubted potential, but every good idea it has is quickly ground down into third-rate physical or scatalogical jokes which are poorly directed, have no staying power, and are offensive for all the wrong reasons.

Macfarlane can do so much better as both an actor and a writer, but the biggest compliment you can pay this film is that it makes you want to rewatch Blazing Saddles, to see how it really should be done.

Daniel M Super Reviewer. Nov 20, When a sheep herder who hates the West saves a young lady during a bar fight they strike up a friendship that helps him gain some self-confidence.

But the performances are weak, due in part to the writing. Clinch Giovanni Ribisi Edward Neil Patrick Harris Foy Sarah Silverman Ruth Christopher Hagen George Stark Wes Studi Cochise Matt Clark Old Prospector Evan Jones Lewis Aaron McPherson Ben Rex Linn Charlie Blanche Alex Borstein Learn more More Like This.

Ted 2 Ted Action Adventure Comedy. Horrible Bosses Comedy Crime. Snow White and the Huntsman Action Adventure Drama. Neighbors I We're the Millers The Huntsman: Winter's War Hancock Action Fantasy.

The Italian Job Action Crime Thriller. Neighbors 2: Sorority Rising Horrible Bosses 2 Edit Storyline Set in in the American west, Albert is a lowly farmer with a nice girlfriend.

Edit Did You Know? Goofs When Clinch knocks Anna to the ground, her hat is dislodged. It's back in place in the next shot.

Quotes [ first lines ] Narrator : Some people are born into the wrong time and place. This was the American frontier in , a hard land for hard folk.

Food was scarce, disease was rampant, and life was a daily struggle for survival.

Comments

Gardazshura says:

Absolut ist mit Ihnen einverstanden. Mir scheint es die gute Idee. Ich bin mit Ihnen einverstanden.

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